Tuesday, December 9, 2008

crumbling under the weight...

I am having a difficult time reconciling my thoughts and feelings about Ayn Rand’s Atlas Shrugged. I should start by saying that I love this book. I was told once by someone I respect that I couldn’t consider myself well-read without having committed to Rand’s 1100+ page magnum opus. I possessed what turned out to be a faulty preconceived notion of Rand and her agenda. It isn’t the writing, which is not beautiful like Marquez, or poetic like Stegner that keeps the reader traveling. Rand’s mission is transparent. But put her philosophical beliefs aside, and you might be surprised by how much you like these characters and their story.

However, can I consider myself well-read if that’s all I did is read the book? It took Rand two years to write Galt’s speech and our book group didn’t even discuss it. It is my opinion that we failed to rise to the challenge. What about the looters and moochers? Sanction of the victim? The John Galt Movement? Weren’t we moved by the strength of Dagny in an era when women were invisible? Whether we loved it or hated it, the book has an eerie relevance to our history currently being made. The Wall Street bailout! The role of our government. The need for social programs. Evicting slippery politicians. The right to create our own future.

Atlas Shrugged is the kind of book that gets people talking. Whether you are sitting in the airport or your doctor’s office reading this book, strangers will approach you to share the conversation. Some consider it a litmus test of sorts (the way we think of A Prayer for Owen Meany). So where did we go wrong? Was it the extended time needed to finish the book? Is our group one that doesn’t want to get too serious? Challenged? Would we rather get together to chat about life, etc. and not limit the discussion to books? We value each other as women and friends…do we need the books? Should we keep the epic stories off the list? How do we get back the opportunity to discuss a book that has changed the way people view their role and contribution in society? Philosophy aside…am I a producer or a looter? Where do I find my own balance among the extremes Rand presented?

Wednesday, October 22, 2008

And she smoked too...ugh



Ok, I loved Atlas Shrugged...and for a while was totally in love with John Galt. Then I decided to do some further reading on Ayn Rand and found that I don't think Ayn and I could be friends. At all.






I think this might be the first time where I am so conscious of the author's life and beliefs and how much I disagree with her...which almost makes me like the book less.




How can you enjoy a book knowing that you disrespect the author on so many levels?


Would Marvin Gaye's voice sound any less sweet if I didn't like him as a person?


How would I view Frida Kahlo's paintings if she had leaned right instead of left?




Thursday, September 25, 2008

African Haiku

Nighttime, Samburu.
Dark by river. So silent.
Then, sudden splashing!
--
Danger lurks in dark.
But splashing sounds so happy!
Must wait for sunrise.
--
Splashing mystery solved -- 
Elephant, skinny-dipping!
Big footprint in sand.

Saturday, September 6, 2008

Where I'm Calling From


The short stories that comprise “Where I’m Calling From” by Raymond Carver are stunning and heart-breaking. The thirty-seven pieces appear to follow the path of Carver’s own experiences, marching toward the end of his life. The beginning of the collection is sparse and clipped, almost truncated. There is evidence that the published versions of these stories may have been presented in a more minimalist fashion than Carver had intended. But the honesty of the writing remains in tact. The struggles of his life are clearly visible – broken homes and families, insecurities, poverty and addiction. The stories capture moments in time. Glimpses. But Carver also allows a glimmer of hope to shine through. As the stories continue, they grow in length to become richer and more emotional. The characters have stopped drinking, as Carver had done, and are seen more clearly. The collection ends with a tender tribute to Carver’s favorite writer, Chekhov, that he wrote a short time before his death. I hope the passing of this great writer was treated with as much respect, love and possibly a glass of champagne.

Friday, August 29, 2008

i miss oscar...


Time spent with JSF is time well spent. This book is lovely and unique and makes me want to visit my friend Oscar. Here is the blurb from the book in case anyone is interested.


With only a yellowing photograph in hand, a young man - also named Jonathan Safran Foer - sets out to find the woman who might or might not have saved his grandfather from the Nazis. Accompanied by an old man haunted by memories of the war, an amorous dog named Sammy Davis, Junior, Junior, and the unforgettable Alex, a young Ukrainian translator who speaks in a sublimely butchered English, Jonathan is led on a quixotic journey over a devastated landscape and into an unexpected past. As their adventure unfolds, Jonathan imagines the history of his grandfather's village, conjuring a magical fable of startling symmetries that unite generations across time. Lit by passion, fear, guilt, memory, and hope, the characters in Everything Is Illuminated mine the black holes of history. As the search moves back in time, the fantastical history moves forward, until reality collides with fiction in a heart-stopping scene of extraordinary power. An arresting blend of high comedy and great tragedy, this is a story about searching for people and places that no longer exist, for the hidden truths that haunt every family, and for the delicate but necessary tales that link past and future. Exuberant and wise, hysterically funny and deeply moving, EVERYTHING IS ILLUMINATED is an astonishing debut.

Wednesday, June 11, 2008

Tender at the Bone


Rating: Four books

I missed the Biblioworms (tm) discussion of Tender at the Bone but was elected in absentia to write our review ... not because I was out of the room (well, maybe that had something to do with it) but because, like the author:

  • I absolutely love thinking about food and the nature of cooking (it is  like giving the best of me to friends, in a totally different way than I used to feel about playing, say, Debussy's "Syrinx" or the slow movements of the Bach sonatas, or countless other unctuous (a word that appears a lot in Beard on Food) works for the flute),
  • I went to the University of Michigan -- about ten years after Ruth Reichl, when the best restaurant we knew about was "The Gandy Dancer," which was located in a renovated train station and terribly pricey for college students. I was particularly drawn to a dish of shellfish served, steamed, in a thick metal bucket ...
  • After a decade and a half of solo travels and cross-country drives that started in the early nineties, for the past several years I've suffered the kind of driving phobias Reichl describes toward the end of the book (surprise, all, except Tina who knows she has me as a passenger to any book group beyond 3100 South ... or I lumber along, solo, taking surface streets),
  • I have a great story about page 98,
  • And, really, have you not heard enough about me yet?
Who cares? I'll continue. This was my second read of Tender at the Bone. I read it shortly after it came out in paperback, and also read Reichl's Comfort Me with Apples at one point or another. I think I enjoyed Tender at the Bone  more this time than the first, but would probably not want to pick up Comfort Me with Apples again. Not because Reichl doesn't write well about food and cooking, but because there is a bit too much information about the author, when all is said and done. I have enjoyed works by Laurie Colwin, M.F.K. Fisher, Elizabeth David, and James Beard more -- their works generally focus more on the food (and opinionated comments about food and cooking, not the people in their lives). It's a little bit like the current celebrity chef phenomenon where the focus is on the person in front of the camera, not on the food itself or the gift of preparing food for the pleasure of oneself (which is a rather lonely affair) or others (far more fun!) is both examined and celebrated. As an aside, I'd like to see a Food Network show that focuses on some of the behind the scenes: the gnashing (and re-purposing of ingredients) detailed in Michael Ruhlman's books ... or a show that focuses on the kind of perfection one sees in Thomas Keller's works ... which like the dishes presented within, are works of art.


Tender at the Bone is a great coming-of-age story, in many ways -- perhaps especially because the author was living in interesting places during interesting times: the college towns of Ann Arbor and Berkeley in the sixties. Growing up in New York -- in Greenwich Village, no less. Coping (or not) with complicated family and personal relationships. Dealing with family moves to the country. Naive travels to Tunisia. I'd like to meet Marion Cunningham. And Reichl's coming-of-age lasted well into her twenties, if not beyond, which is really the case with all of us, isn't it?  But without further ado here's the story about page 98, which is, of course, all about me:


Our week of vacation in late May, which at one point we thought might be a walking trip in France, ended up being time spent doing things around the house (nothing major), culminating in a two-day, one-night camping trip to Topaz Mountain in the Utah desert -- where, I discovered, you can rock hound for topaz ... particularly if you're with a geologist who gets down on his hands and knees to look at anthills, because the ants have brought up topaz from underground, of course. Ended up with new appreciation for how anthropologists and geologists look for subtle differences in the soil ... which can only be done when the light is just ... so.


There, in the hilly, juniper studded Utah desert, we set up a basic car-camping site, in what was the second or third most remote place I've ever been ... elephant research camp in Kenya being the most ... planning to sleep under the stars and cook in relative comfort, having packed gourmet ingredients -- with nice wine, great cheeses and salami as appetizers. Five o'clock rolled around, and the air, which was not yet desert summer warm, was starting to cool off. We had been reading for awhile but decided it was time for cheese and crackers and a robust red wine (elegantly served in stainless steel thermal mugs). I'd been reading Tender at the Bone and paused at the top of page 98 while we fished stuff out of the cooler in the back of the red Geologymobile (a 1990 Toyota 4Runner that has seen too many such field trips ...) and I sat back in my folding chair while we were both exclaiming, with sexual overtones ("Ohh!"), about the richness of the cheese we'd just tasted. I continued reading ...


Their name was Devau and when they discovered I was American they lost all intereste in me. "The Americans," said Madame firmly, "do not know how to eat." But when Danielle said she was from Reims they gasped happily. "Oh, la belle Champagne," breathed Madame, peppering Danielle with questions about this restaurant and that winery.


"My family does not go to restaurants," Danielle said simply.


The Devaus looked sad, as if she were missing out on a great life experience. "Have you been to Troyes?" Madame ventured. 

"Bien sur," she said, "my aunt and uncle live near there. Just outside, in the village of Chaource." 

"Ah, Chaource," she said reverently, "one of the greatest cheeses in the world. Have you tasted it?"

"My uncle makes it," Danielle replied.

At that, Monsieur Devau turned to look at her, swiveling so completely that I was happy the road was empty. He ignored the swerve of the car and stared worshipfully at her, as if he had just discovered a movie star in his backseat. "Do you know it has been made since the fourteenth century?" he said, in a tone of voice people reserve for great works of art.


"Yes," said Danielle. "It is a venerable cheese." As he returned his eyes to the road, she whispered, "I can't stand it. Disgusting. So rich!"


And yes, the Chaource was, indeed, rich, slathered on crackers in the second or third most remote place I've been in my life.  Decidedly not disgusting. Just amazingly, amazingly rich.


Like my life, just at that moment.


Tuesday, May 20, 2008

Black Swan Green

Rating: Three Books

Our discussion of David Mitchell’s “Black Swan Green” concluded without a group rating. It’s only the second book to be “reviewed” on our blog, so I will try to live up to the standard set by Ang with the Helprin review.
The rating is based on our loved it / hated it conversation.

The story of Jason Taylor, the stammering thirteen year old poetry writing Brit, unfolds in thirteen chapters as thirteen months of his life. Each chapter is a complete short story narrated by Jason, interweaving characters that come and go from month to month. This may be one reason the story often felt disjointed. The universal struggles of the teenage experience are contrasted with the seismic shifts in his parents’ life and the larger conflicts around him socially and politically.

But ultimately, Black Swan Green is a novel about secrets: the secrets Jason tries to keep from his peers, the secrets his sister, mother and father keep from him. All of these secrets tug and pull the narrative, they want to escape the constructs of Black Swan Green, to break the surface so expertly created by Mitchell, and nothing can remain hidden, especially in an unsophisticated English village. The tautness created here is wholly tangible:

“Secrets affect you more than you’d think. You lie to keep them hidden. You steer talk away from them. You worry someone’ll discover yours and tell the world. You think you are in charge of the secret, but isn’t it the secret that’s using you?” (Pg 346). (readysteadybook.com)

At times I couldn’t connect with the story. However, I was often transported by David Mitchell to a place where I was reminded of other characters I have loved…Holden, Owen and Oscar.

Monday, April 7, 2008

Do Not Read




1 book=not a very good read
my little blue dress=this sucked. don't even bother

Saturday, April 5, 2008

The Pacific by Mark Helprin


RATING: 5 BOOKS!


Hayl introduced us to Mark Helprin with The Pacific. A collection of short stories that we all agreed were beautifully written. Meticulous and yet expansive...or as the San Francisco Chronicle wrote, "Small masterpieces, testaments to the perfectibility of explaining the minutiae of life, if not life iteself."

Certain themes popped up in the stories and our discussions. Every story touched on perfection and how it can bind us to love and/or honor. The ocean...its sounds, colors, power and distance...made its presence known. And there was a spark of "magic" in every story that seemingly fit and seemed very real. And we felt former books/characters/authors illuminating our way through stories...Chaim Potok, The Things We Carried, Owen Meany. Hayl pointed out that while Helprin's writing is accessible, it helps to be well-read in order to fully appreciate this collection of stories. Some of us are more well-read than others! (who the heck is de'coke ville?!?)

We focused on 5 stories so our discussion revolved around those:
Monday--without Jackie I don't know if we would have realized the wonderful possibility that Lilly is the second Mrs. Fitch!
A Brillian Idea and His Own As I'm writing this, I can't believe we didn't discuss the title! I don't get it so feel free to comment... A tough read for some of us at first but an amazing story of honor. It made us think of more current wars and how they differ/compare to this era.
Vandevere's House Jackie found Vandevere to be quite similar to the antique dealer guy in Suite Francaise--not very likeable until the end of the story. The description of the house struck us most--the plumbing, the pantry, the olive oil storage and the pool with its 40 foot depth. In honor of his great love...
Perfection Our favorite--we loved Roger. He reminded us of Owen Meany. A story about an American tradition melding with an otherworldly, wise 14 year old Hasidic Jew. This story was funny, poignant, and inspiring.
The Pacific Lee and Paulette--what a great love story. Lee a soldier during WWII and Paulette, a precision welder. "As long as she did her work and as long as he stayed alive, she sensed some sort of justice and equilibrium." The last sentence is beautiful and haunting.


To my fellow worms--this was much harder than I thought. I should have taken notes. And, I know it is too long but I can't edit any more. I'm very stressed about being the first to do this so be kind:) And I can't find a darn photo of 5 books so I'm going to take one and replace the image above. I'm off to read Black Swan Green...

Tuesday, April 1, 2008

Spring...




the perfect time to embrace change.




Wednesday, January 2, 2008

Refuge

noun
1. A place providing protection or shelter
2. A source of help, relief or comfort in times of trouble.
3. A group of women who always make me feel welcome and loved...even when I'm loud, sassy, tired, sad, or scared.